An Unorthodox Remembrance of September 11th
by Sarah Elisabeth
“Where
were you when . . .?”
Such
a tired question, so commonly asked that my tongue languishes in the
attempt to to say it. Am I really making use of the query? Shame! And
on my own husband no less.
It's
the classic, over-chewed filler for when the topic comes around; like
commenting on the weather when outdoors, or asking a teenager when
they will graduate high school.
“Where
were you when . . .?”
But
you know you've used it before. Who hasn't? This filler is thin and
threadbare from ten years of overuse. Like some ancient relic
purported to be the shroud of Christ or the veil of Mary, the masses
feel obligated to touch the topic again and again, until the original
meaning is gradually worn away. Only some sad rag of the former
substance remains.
The
event has become nearly cliché. Poor films have already sprung up,
featuring the smoke ringing horribly, beautifully, round collapsing
towers. And heroic measures being taken by firemen, police forces,
and random strangers collectively. The coffee-table book of photo
spreads came out in time for Christmas.
***
Has
ever an event, historical or otherwise, been known by merely a
number? Nine-eleven. Nine-eleven. You say it, and the world knows.
***
I
want to tell you of the black smoke pouring upward from those
thousand foot crematoriums, and of the screams of horror, and the
blare of sirens, and the lives forever expired. I want to tell you of
bravery, and good-bye phone calls, and children born without fathers.
But all I remember are the silent eyes and wordless mouths, open and
frozen and shocked. There were no tears here, there were no screams.
Only mute disbelief, and the childish excitement that accompanies any
singular event.
Children
do not distinguish between horror and wonder easily. Those planes
that were executioners, and those towers that were tombs, they were
removed and fantastical. There was a sort of romantic beauty in the
chaos. Something exciting was happening during my lifetime! The
hysteria that stemmed from the television screen was electric,
sending currents through brain and limbs, lighting up my eyes; my
heart grew wild and frenzied. Abigail, in blue-eyed fright, woke to
my yelps of bombs and attacks and America gone. Would it be gone?
Were further attacks looming? Were dark men in dark beards, crowned
in turbaned glory flying over our painted deserts and blue mountains,
prepared to set the Phoenix Hyatt on fire? The compass restaurant
spinning slowly, luxuriously, wreathed in flames. A dreamlike quality
held the day for me.
Please
do not think that I was a callous child. I was so lost in the
fantastical places of faerie tales and fictitious lands that this
world was oft exchanged for them. When something so gloriously new
and different entered via jet engines and exploded into multifaceted
rainbows of steel, I was not terrified. I was charmed.
Something
possessed me that morning to record such events.
“This
is history, right?”
Something
in my childmind recalled Anne Frank. Years from now, some futuristic
archeologist might find my purple Pooh Bear journal, and futuristic
children might be required to read my memoir in their history
classes. I wrote with a no.2 pencil on spiral-bound pages about
wicked men and falling planes and a fear that was imagined in some
romantic dream. I wrote that paragraph of history on wide-spaced
lines, on the page next to an entry about a rabbit, who often visited
our backyard, and the trap set to catch him.
“Carrots.
Bunnies like carrots, right?”
“Mommy,
how do you spell 'Muslim'?”
***
Morning
light falls in patches through windows lined with nose-prints. The
perpetrators nap in purring ecstasy, and I watch and struggle with a
fogged mind and stupid fingers, thanks to a poorly timed cup of
coffee yesterday night. Muddled minds are not best for remembering to
water the tomato plant, let alone a day ten years ago. Drifting in
stupor, I attempt to remember, but all I can wonder is why does it
matter?
Why
so commonly referenced is the tale of four planes fallen from the
sky, two towers become mass graves? An yet we are nonchalant. I hear
casual allusions to the catastrophe daily on the radio. Another hyped
up and disappointing film was released a few short months ago. Do we
remember the mute mouths and wrenched souls, the momentary unity in anguished cries to God? Or do we remember the coffee-table book
spread of photographs and the romantic fears we dreamed?
***
I am
a volunteer Teacher's Aid for first-grade children. While clearing
out the bulletin board on which they hang their projects, I recently
noticed their tribute to the ten year anniversary of nine-eleven.
Although I wasn't there to witness the actual drawing of their
posters, I have seen enough of their art-making to imagine it. They
are between six and seven years old; small, wide-eyed, determined.
The kids color earnestly, recording history with crayons. They look
up expectantly for praise over their artwork. The happy firemen,
heroically rescuing trapped civilians with ease and a smile. Dead
stick-figures lie gently in the streets, cradled by black scrawled
asphalt. Smoke is represented by swirling loops of gray. A few birds
fly lackadaisically above the chaos.
And
the children are pleased with their artwork.
***
While
driving today, I was obligated to turn around and take a new route.
A deep green car sat peacefully on the sidewalk bordering the road,
nose softly set into the wall. Palo Verdes surrounded, dripping
blooms in yellow serenity.
I
heard the sirens today.
Fire
trucks and police officers gathered, passing cars were thrown off
course, and concerned people milled about. After worrying for the
passengers momentarily, I was soon more pressed to find an alternate
route, and eventually continued on my way down a different road.
Everything
was normal.
Del
Taco's and pawn shops sat quietly in strip malls, and tanned
strangers shaded their faces from oppressing heat. A family of
immigrants wilted beneath a bus-stop. Maybe someone laughed in the
crosswalk. Maybe someone bounced their baby, whose face grew red as
he wailed. Maybe a dog pissed on a clump of the dried and yellowed
grass that grows between the sidewalk cracks in the less posh areas
of Phoenix.
Normalcy
exists for others while our own worlds are crashing down.
***
September
11th,
2001.
How
much is from memory, and how much from T.V. screens and the photo
book on our coffee-table? Mom bought it that day in the mall, when we
were walking on grimed tiles without stepping on the cracks and
suddenly she was no longer beside us, but elsewhere, returning with
bag in hand. Dad asked something to the effect of “why did you buy
it?” and she replied with something between a want and an absolute
need.
Nine-eleven.
The day was normal, besides our T.V. staying on until bedtime came
for us, and then probably longer until my parents could no longer
worry about futures and keep disillusioned eyes focused on the
screen. Television viewing was completely a matter of loyalty that
day. Each channel broadcast the same exact footage, and could only
give out the same information as soon as they came to know it.
Our
loyalties lay with NBC.
Matt Lauer and Katie Couric canceled the various segments planned for
the day, and shots of burning towers were swapped intermittently with
those of smoky streets through lenses of shaky, hand-held cameras.
Fluttering walls of missing persons were erected and shown on-screen.
Reporters broke down. The screen screamed fear and disbelief. But
here, we ate lunch, we ate dinner, we went on with our day. Normalcy
reigned.
After
that day of nothingness, we went to cross-country practice. And for
some odd reason this is the event most clearly remembered from that
day. Why? I do not know. I was not particularly good at
cross-country, and being the only non-public-schooled children on the
team, we were somewhat set apart, if unconsciously so. Thunderbird
mountain is sprawling and of a humble height, though to my young mind
it seemed statuesque and brooding under monsoon skies of dark clouds
and heavy air. By September the majority of desert summer storms have
exhausted themselves, but the evening seems velvety in my memory.
Tessa was there, with brown eyes and a constellation of freckles that mapped her whole body with stars. While our mothers gathered
knowingly in hushed tones and somber nods, we spoke excitedly of the
day's events. According to Tessa's teacher, something awful happens
in history during every child's tenth year. Her teacher had witnessed
the Challenger tragedy when she was ten. Tessa was ten. Today was
September 11th.
And I was nine and eleven months. We were struck by the
anecdotal evidence, and stared at one another in the silence that
accompanies one's first profound thought. It didn't occur to me until
much later that the logicality of the statement was severely lacking.
Who cared? The romantic dreams were alluring in the way that reality
was absolutely not. Practice ended and the dark descended. We
concluded the evening in the dull hum of buzzing excitement, somewhat
less electric than how the day had begun.
***
When
I viewed the nine-eleven photo and video project, a tribute to the
ten year anniversary put together by a collaboration of artists and
journalists and more, I was at a loss to identify with others'
remembrances of that day ten years ago. Other people woke that
morning to the startling news broadcast, and did not meet the day
with excitement and awe. Other people did cry and break and mourn.
Other people lost other people.
Those
towers falling and those snowflake ashes, they were not only a
romantic dream? But the Hyatt, it still stands! The Compass still
spins! Testament that not all of the dreams were true. But somewhere
thousands of miles away, two towers do not stand anymore, and the
ashes there are of more than just wood.
I want to tell you of the tears that day, and
the grim nods and shaking heads with disbelief. But I do not know
them. They live not in my memory. I can only tell you of photographs
that bring realization, and the anniversary stories that beckon
tears.
“I love you, I love you, I love you,” they
said, mantra-like, as she recalls. The woman sits before a white
background, speaking to the camera about the last time she spoke to
her husband. That final phone call that cannot even be described as a
conversation, as his plane sailed calmly, so calmly, to earth. And
her eyes search upward for a way to stem the tears, and her
bleach-blonde styled hair threatens to come undone and reveal that
beneath the airbrushed makeup and peachy lips she is only a broken,
widowed mess. And I join in her grief, though I have nothing
substantial to grieve. Only the imagined fear of losing my own love,
and the realization that all we have must be held with an open hand.
Truly, touchingly, believably beautiful, Sarah.
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